Our thanks go to
Disclosures
All the participants; to advisers Neil Cummings, Armin Medosch, Shaina Anand and Ashok Sukumaran, and Goldin+Senneby; to Jérôme Rigaud for suggesting ‘Disclosures’ as a name for the project, designing the printed material and building Pipeline with Pierre Schmidt; to the project coordinator Moïra Dalant; to helpers Christina Garrido, Assunta Ruocco and Eleni Pavli; to Anthony Spira and Marijke Steedman of the Whitechapel Gallery for cooperating on John Barlow Gone Offshore; and to all the people who gave us some of their time during our research.
Thanks to Gasworks and all its staff; to the funders: Esmee Fairbairn Foundation, Arts Council England, Charles Wallace India Trust, Henry Moore Foundation, Austrian Cultural Forum in London; and to the partner NODE.London.
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Disclosures II: The Middle Ages
All the participants; to Alex Farquharson, Fiona Parry, Lynne Hanna and Jim Waters of Nottingham Contemporary; to advisers Chris Matthews, Stuart Rose, Neil Cummings, Trevor Giles and Shaina Anand; to Jérôme Rigaud for designing the printed material; and to Robert Leckie for documenting the event.
Thanks to Nottingham Contemporary for producing and funding the project.
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Women and the Archive: A Partial Disclosure
All the participants; to Sarah Smillie and Berenice Saliou of the Whitechapel Gallery; to Chandan Mahal of The Women’s Library; and to Robert Leckie for his technical help.
Thanks to the Whitechapel Gallery for producing and funding the project, and to The Women’s Library for hosting and facilitating it.
