Our thanks go to
All the participants; to advisers Neil Cummings, Armin Medosch, Shaina Anand and Ashok Sukumaran, and Goldin+Senneby; to Jérôme Rigaud for suggesting ‘Disclosures’ as a name for the project, designing the printed material and building Pipeline with Pierre Schmidt; to the project coordinator Moïra Dalant; to helpers Christina Garrido, Assunta Ruocco and Eleni Pavli; to Anthony Spira and Marijke Steedman of the Whitechapel Gallery for cooperating on John Barlow Gone Offshore; and to all the people who gave us some of their time during our research.
Thanks to the funders: Esmee Fairbairn Foundation, Arts Council England, Charles Wallace India Trust, Henry Moore Foundation, Austrian Cultural Forum in London; and to the partner NODE.London.
* * *
Disclosures II: The Middle Ages
All the participants; to Alex Farquharson, Fiona Parry, Lynne Hanna and Jim Waters of Nottingham Contemporary; to advisers Chris Matthews, Stuart Rose, Neil Cummings, Trevor Giles and Shaina Anand; to Jérôme Rigaud for designing the printed material; and to Robert Leckie for documenting the event.
Thanks to Nottingham Contemporary for producing and funding the project.
* * *
Women and the Archive: A Partial Disclosure
All the participants; to Sarah Smillie and Berenice Saliou of the Whitechapel Gallery; to Chandan Mahal of The Women’s Library; and to Robert Leckie for his technical help.
Thanks to the Whitechapel Gallery for producing and funding the project, and to The Women’s Library for hosting and facilitating it.
* * *
Hydrarchy: Power and Resistance at Sea
All the participants; to Julia Morandeira and Lauren Rotenberg (research and coordination); to TJ Demos (UCL); to Sylvia Kouvali of Rodeo Gallery, Istanbul, Nicos Chr. Pattichis, Galeria Filomena Soares, Lisbon, Galerie Barbara Weiss, Berlin for loaning works and assisting with loans. The artists and conference contributors; to Julia Morandeira, Lauren Rotenberg, Ellen Christie, Richard Whitby (research, coordination, installation); to TJ Demos (UCL); to Alex Farquharson and David Elliott for their curatorial advice and for sharing ideas; Sylvia Kouvali/ Rodeo Gallery, Istanbul, Nicos Chr. Pattichis, Galeria Filomena Soares, Lisbon, Galerie Barbara Weiss, Berlin, Karin Seinsoth/ Hauser & Wirth, Zürich for loaning works and/or assisting with loans. Special thanks to Marcus Rediker whose writing has largely inspired this project.
Thanks to the funders: Esmee Fairbairn Foundation, Arts Council England, Henry Moore Foundation, Calouste Gulbenkian Foundation.